A legendary substance which enabled adepts in alchemy to
compass the transmutation of metals. Alchemists believed that
one definite substance was essential to the success of the transmutation
operation. By the application or admixture of this
substance, often called the Powder of Projection, any metal
might be transmuted into gold or silver.
Zosimus, who lived at the beginning of the fifth century, was
one of the first to allude to the philosophers stone. He said that
it was a powder or liquor formed of diverse metals, fused under
a favorable astrological condition. The stone was supposed to
contain the secrets not only of transmutation, but of health and
life, for through it the elixir of life could be distilled.
The author of a Treatise on Philosophical and Hermetic Chemistry,
published in Paris in 1725, stated
Modern philosophers have extracted from the interior of
mercury a fiery spirit, mineral, vegetable and multiplicative, in
a humid concavity in which is found the primitive mercury or
the universal quintessence. In the midst of this spirit resides the
spiritual fluid. . . .
This is the mercury of the philosophers, which is not solid
like a metal, nor soft like quicksilver, but between the two. They
have retained for a long time this secret, which is the commencement,
the middle, and the end of their work. It is necessary
then to proceed first to purge the mercury with salt and
with ordinary salad vinegar, to sublime it with vitriol and saltpetre,
to dissolve it in aquafortis, to sublime it again, to calcine
it and fix it, to put away part of it in salad oil, to distill this liquor
for the purpose of separating the spiritual water, air, and
fire, to fix the mercurial body in the spiritual water or to distill
the spirit of liquid mercury found in it, to putrefy all, and then
to raise and exalt the spirit with non-odorous white sulphur
that is to say, sal-ammoniacto dissolve the sal-ammoniac in
the spirit of liquid mercury which when distilled becomes the
liquor known as the Vinegar of the Sages, to make it pass from
gold to antimony three times and afterwards to reduce it by
heat, lastly to steep this warm gold in very harsh vinegar and
allow it to putrefy. On the surface of the vinegar it will raise itself
in the form of fiery earth of the colour of oriental pearls.
This is the first operation in the grand work.
For the second operation, take in the name of God one
part of gold and two parts of the spiritual water, charged with
the sal-ammoniac, mix this noble confection in a vase of crystal
of the shape of an egg warm over a soft but continuous fire,
and the fiery water will dissolve little by little the gold; this
forms a liquor which is called by the sages chaos containing
the elementary qualitiescold, dryness, heat and humidity.
Allow this composition to putrefy until it becomes black; this
blackness is known as the crows head and the darkness of
the sages, and makes known to the artist that he is on the right
track. It was also known as the black earth. It must be boiled
once more in a vase as white as snow; this stage of the work is
called the swan, and from it arises the white liquor, which is
divided into two partsone white for the manufacture of silver,
Encyclopedia of Occultism & Parapsychology 5th Ed. Philosophers Stone
the other red for the manufacture of gold. Now you have accomplished
the work, and you possess the Philosophers Stone.
In these diverse operations, one finds many by-products;
among these is the green lion which is called also azoph,
and which draws gold from the more ignoble elements; the
red lion which converts the metal into gold; the head of the
crow, called also the black veil of the ship of Theseus, which
appearing forty days before the end of the operation predicts
its success; the white powder which transmutes the white metals
to fine silver; the red elixir with which gold is made; the white
elixir which also makes silver, and which procures long lifeit
is also called the white daughter of the philosophers.
In the lives of the various alchemists, we find many notices
of the philosophers stone in connection with those adepts who
were supposed to have arrived at the solution. Thus in the story
of Alexander Seton, a Scotsman who came from Port Seton,
near Edinburgh, it is stated that on his various travels on the
continent he employed in his alchemical experiments a blackish
powder, the application of which turned any metal given
him into gold.
Numerous instances are on record of Setons projections,
the majority of which were verified by multiple observers. On
one occasion, while in Holland, he went with some friends from
the house at which he was residing to undertake an alchemical
experiment at another house near by. On the way there, a
quantity of ordinary zinc was purchased, and reportedly Seton
succeeded in projecting the zinc into pure gold by the application
of his powder. A similar phenomenon occurred at Cologne,
and even the most extreme torture could not wring the
secret from him.
Setons pupil or assistant, Sendivogius, made great efforts to
obtain the secret from Seton before he died, but without success.
However, out of gratitude Seton bequeathed him what remained
of his marvelous powder, which Sendivogius employed
with the same results Seton had achieved.
Sendivogius fared badly, however, when the powder came
to an end. He had used it chiefly in liquid form, and into this
he had dipped silver coins which immediately had become
pure gold. When the powder gave out, Sendivogius was driven
to the practice of gilding coins, which, it was reported, he had
previously transmuted by legitimate means, and this brought
upon him the wrath of those who had trusted him.
There are many intriguing accounts of successful alchemical
operations with the philosophers stone, but most students of
the field have surmised that the great work accomplished was
a personal and spiritual transformation rather than any chemical
miracle. The close association of ideas of the philosophers
stone with the elixir of life reinforces this view.
The idea of the philosophers stone is an ancient one. In
Egyptian alchemy, which seems one of the oldest, the idea of
a black powder (the detritus or oxide of all metals mingled) is
The ancient Chinese believed that gold was immortal and
that when absorbed in the human body could bestow immortality,
thus we find here ideas of the mystical value of gold again
associated with the concept of the elixir of life.
The art of Chinese alchemists can be traced back to circa
100150 B.C.E., long before records of alchemy being practiced
in the West appear. Gold was regarded as a medicine for long
life, and there is a story that the great Wei Po-Yang (ca.
100150 C.E.) succeeded in manufacturing the gold medicine
and he and his pupil Yu, together with the wise mans dog,
thereby became immortal.
The idea that the philosophers stone could grant wishes is
found in ancient Indian religious tradition, where this magical
stone was named Chintamani and cited in scriptures. Similar
ideas were carried over into Buddhism.
The antiquarian Sabine Baring-Gould suggested that legends
of the philosophers stone ultimately could be traced to reflections
upon the life-giving properties of the sun, which was
a prominent symbol in many alchemical works. He reviewed
such concepts in a chapter on the philosophers stone in his
book Curiosities of Olden Times (1895).
Bacon, Roger. Mirror of Alchemy. London, 1597. Reprint, Los
Angeles Globe Bookshop, 1975.
Barring-Gould, Sabine. Curiosities of Olden Times. London, J.
T. Hayes, 1895.
Chkashige, Masumi. Oriental Alchemy. New York Samuel
Eliade, Mircea. The Forge and the Crucible; The Origins and
Structures of Alchemy. New York Harper & Row, 1956.
Jung, C. G. Alchemical Studies. Vol. 13, Collected Works.
Princeton Princeton University Press, 1967.
Redgrove, H. Stanley. Alchemy Ancient & Modern. London
William Rider, 1911. Reprint, New Hyde Park, N.Y. University
Regardie, Israel. The Philosophers Stone. St. Paul Llewellyn
Waite, Arthur E. Alchemists Through the Ages. Blauvelt, N.Y.
Rudolf Steiner Publications, 1970.
, ed. The Hermetic and Alchemical Writings of Paracelsus.
2 vols. London James Elliott, 1894. Reprint, New Hyde Park,
N.Y. University Books, 1967.